Take a Class with Me in 2016

I’m pleased to announce that I am now an instructor at Writers.com, and I have two classes coming up:

Pitch Like a Honey Badger


The Nuts and Bolts of the Freelancing Lifestyle.

Pitch Like a Honey Badger” is intended for freelancers who want to improve their pitching skills and, by extension, their rate of acceptance and number of assignments. The class starts January 20 and is asynchronous, meaning there’s no set meeting time; you can work through it at your own pace.

In “The Nuts & Bolts of the Freelancing Lifestyle,” I’ll be teaching something almost no other writing course teaches: the finances of freelance writing. This course is designed to help you define what financial success looks like for you as a freelancer and to assist you with developing a concrete, practical plan for achieving it. It starts March 9 and is also asynchronous.

If you’ve ever worked with me before, you know that I’m very hands-on with students and colleagues, offering honest, useful feedback and support that’s rooted in the values of transparency and giving.

I hope you’ll consider registering for one (or both!) of these classes. If you have any questions, please feel free to contact me directly at writingjulie [AT] gmail [dot] com.

Interview with Writer John Lane: My Paddle to the Sea

Julie Schwietert Collazo
Photos: Francisco Collazo, with exception of John Lane photo, courtesy of John Lane

An Upstate, South Carolina river
An Upstate, South Carolina river

I rarely let go of a story.

I’ll research an article or essay, write it, and have it published, but it’s not often that I just file the story away and stop thinking about the subject. I like to keep following the story.

I’ve been writing about and following John Lane since 2008, when I interviewed him^ about his book, Circling Home. John lives in my hometown of Spartanburg, South Carolina, so many of the places he writes about are familiar to me. That’s one reason I keep reading his work; the other is, quite simply, that he’s a good writer who wants to make sense of his experience through the writing process.

John’s newest book, My Paddle to the Sea, was just published by University of Georgia Press and the launch party, hosted by Spartanburg’s indy bookstore, Hub City Bookshop, was probably the best attended in Spartanburg’s history, if Facebook chatter is any indication. My Paddle to the Sea opens with Lane’s recounting of a tragic white water trip in Costa Rica and his subsequent 300-mile paddle of South Carolina’s waterways, a trip initiated partly for catharsis. But as with all of Lane’s projects, writing and otherwise, his 300-mile paddle trip was also undertaken as one more effort to understand himself, his local ecosystem and history, and his place within them.

Though I’d have rather interviewed John while walking around a riverbed in Glendale as I did three years ago, I was happy to have talked with him about My Paddle to the Sea via email.

One of the qualities of this book that struck me–and has stayed with me since–is the way in which you honor other people by reflecting upon and celebrating what they’ve shared with you, whether an experience, as with Venable Jr. [Lane’s partner on the paddling trip], or a lesson or idea, as with other writers. You did so in an artful, elegant, authentic way that I found quite moving. Were you conscious you were making these acknowledgements of influence as you were writing?

The major decision I had to make with this project was: go it alone, or go with a friend, or a number of friends. Originally, when I conceived of paddling almost 300 miles to the sea I’d thought, yes, I’ll do the trip alone and make it into one of those “man against the wild” type adventure stories. You know, rugged individual sets out against the elements in a kayak with only a can of pork & beans, a sleeping bag, and a Swiss Army knife. But our tragic trip to Costa Rica changed that. After the deaths on that river in Costa Rica I realized I’d have to have the help of my other adventurous friends if I wanted to pull this trip off and get back in the adventure saddle. I’d lost the desire to be alone on the trip.

After Costa Rica the idea of the trip became a celebration of friendship– planning and doing, sharing stories, overcoming adversity, and telling the tale. And I knew from the beginning that telling my tale would include telling the tales of my good friends Venable Vermont and Steve Patton. They are both adventurous men who have pulled off long river trips and had near misses like the one I had in Costa Rica, and they both had plenty to say about life, liberty and the pursuit of happiness as we paddled along.

As far as the other influences–the writers and others who have come before– I’m always conscious that landscapes have deep histories, and I always want to acknowledge that other minds have passed before me. I knew going in that the Santee River basin wasn’t “unwritten,” wasn’t a blank slate. There was the mind and work of Henry Savage and his great Rivers of America volume on the Santee, and then there were literary writers such as WJ Cash, John P. Kennedy, Julia Peterkin, and poet Archibald Rutledge. Their voices had to be included along with mine. They had already sung of this river.

I also felt like you struggled with trying not to be judgmental of people who don’t share your world view, and I wanted you to write about them in a way didn’t set up or reinforce binaries of “us” and “them.” I think the place where I felt most frustrated about this was the characterization of the “hook and bullet crowd” in the Low-country. (I fully acknowledge that I wanted you to do this because I struggle with it in my own life/work.). Any thoughts about this?

John Lane
John Lane
Well, there is often an “us” and a “them” in many things, and I think it’s a lie if we try to act like it doesn’t exist. It’s like me traveling to Zimbabwe (which I did last October) and thinking when I land that there is no difference between me and those who I encounter in my travels. I’m not saying that there is always a hard “us and them” line– after all, we’re all humans– but my values are often different than what one of my friends calls the “hook and bullet crowd.” If you reduced me to my own stereotype then I’m close to what “they” would call a “tree hugger.” I don’t deny that and actually I find intellectual strength in it.

I probably understand the motives of the person who sits in a tree to stop it from being cut down more fully than I understand one who sits in a tree stand all day to shoot a deer. But I do share many values with the hunting and fishing tribe–my love of wildness, my observation skills, my knowledge of landscapes– but there are still often some fundamental difference between many of those who hunt and fish seriously and those who do not. Mostly these are simply management issues. Most wild land is managed now and I’m generally more of a preservationist as opposed to a conservationist. I’d like to see land set aside and managed for all creatures great and small, not just deer and turkey. I’d like to see large tracts of territory where ecological processes can go on without us. I prefer free-flowing rivers to recreational lakes. If you forced me to choose between the ideas of John Muir or Gifford Pinchot, I’d choose Muir. Pinchot’s “Wise Use” doesn’t cut it for me entirely.

And in South Carolina there is a huge spectrum in the hunting/fishing world. Many who hunt and fish I admire deeply and they too would vote for preservation. Others I wouldn’t agree with, and those are usually the ones who think of hunting as a “sport.” Through the years I’ve come closer and closer to understanding and even admiring those particularly who eat what they kill. (I’ve even developed relationships with several hunters where we eat what they kill.) But I still can’t kill game myself, and I know that “they” generally see the wild world through the scope of a rifle or as just off the tip of a rod. I see it at the end of a paddle or under my feet or bike tire. The worlds of the hunter and the non-hunter are often very different and they are managed in different ways.

In the book you say, “There are no simple answers to contemporary recreation in the [American] South.” But besides kayaking your local waterways, what are some of *your* answers? How do you engage with the land apart from the time in your kayak?

Well, in some ways this is a continuation of the question above. There has been a shift in our culture in the last 30 or 40 years from wilderness to recreation, from preservation to conservation, from nature worship to use. During the 60s and 70s the lobby for the values of wilderness and preservation were strong. Read Wallace Stegner’s “Wilderness Letter.” Read the 1964 Wilderness Act itself. The idea of limited and controlled human access to wilderness in particular was supported politically and intellectually.

Lots has happened to bring some of those values into question since then. The work of historian William Cronon in the 1980s brought into question the idea of wilderness itself. Cronon suggested that wilderness was an idea invented by urban people, that the places we call wilderness– take Yellowstone for example– were actually inhabited and used by people regularly for thousands of years.

There has also been an explosion in technology and income that can take people into wild places– from airline routes to kayaks to four wheelers to light weight hiking gear. Every improvement in gear makes it easier for humans to “use” wildness easily. Every uptick in the adventure travel industry has made it harder to support the values and ideals that were outlined in the Wilderness Act. That document saw value in difficulty of access and use.

In the [American] South it’s even more complex because there is such a large population within easy driving distance of our limited wilderness areas. The Chattooga Wild & Scenic River and its Ellicott Wilderness is within a 2 hour drive of 7 or 8 million people and many of them like to recreate “in the wild.” It’s complex for me because I value wilderness, but I also like to go into it, to recreate. Here’s another place where the easy “us” and “them” breaks down!

Lane's home river
Lane's home river
I’m spending alot more time enjoying “nearby nature,” my own backyard, than I did in the past. Much of my walking/paddling now takes place close to home. I’m finding out that there’s a lot to be learned and enjoyed in my “limited wild” (to use David Gessner’s term). I began to walk a small circle every morning with my dog on our 4 suburban acres that I wrote about in CIRCLING HOME. I’m always engaged on that walk.

What are the other places you want to explore in the South that you don’t know so well yet?

I really want to spend more time up in the Blue Wall area, the mountain front west of here. I’d like to hike the whole Foothills Trail. I also want to paddle as many of the South Carolina rivers as I can.

Regarding some of the practical aspects of promoting and selling this book, what’s your strategy?

I’m hoping that readers who know my work from the past will pick up on it, and I’m hoping that there will be a few good reviews. I’m also hoping that the 30 minute video RIVER TIME (www.rivertimefilm.com) that film makers Chris Cogan and Tom Byars put together about me and the trip will take off and get shown on local ETV stations around the south. They have a few screenings set up in SC and Georgia and we’ll sell some books there. I’m not sure how it will be received in other regions. We’ll just have to wait and see.

^One of the unfortunate aspects of writing online is that technology evolves and some published works get lost in the evolution. My article that accompanied the oral interview linked to above has been eaten by the interwebs.

July 2010 Update: Puerto Rico, Cuba, and a New Website in the Works

Text: Julie Schwietert Collazo
Photos: Francisco Collazo

It’s true, we’ve posted nothing since April. Let’s skip the usual excuses and apologies, shall we, and just say that it’s been so long that we even forgot our own password.

It’s been a busy, fun time.

“Fun Slide,” Aibonito, Puerto Rico, June 2010

Though we never would have expected it when we high-tailed it out of Puerto Rico with all engines thrusting, the island we called home for more than 2.5 years has become one of our writing and photography niches. Fodor’s Puerto Rico, 6th Edition will be hitting bookstore shelves in August. Julie wrote several features for the book, including “History You Can See,” “State of the Arts in Puerto Rico,” “Salsa,” “A Guide to Puerto Rico’s Carved Saints,” and a 14 page itinerary for the Ruta Panoramica, the first time the Ruta’s been featured in the Fodor’s guide. Several of Francisco’s photos illustrate these and other features.

Yes, the guide book has mistakes. And yes, parts of it are already out of date. That’s why you’ll need to supplement it with the iPhone app we’re (slowly but surely) producing. More on that later.

Julie also has a feature article about Puerto Rico’s Ruta Panoramica (Panoramic Route) that will be published in the September issue of Latina Magazine, and several of Francisco’s photos will accompany this piece as well.

A mid-June trip to Puerto Rico and a return trip planned for September will see other writing and photography projects come to fruition. In the meantime, you can read about violence on the island and the problem with lionfish on PR’s Southern coast over at Matador, and take a look at photos from Yauco (one of PR’s coffee-producing towns), Aibonito (home of the annual flower festival), and other cities and towns we visited in June.

Between now and our next Puerto Rico visit, Julie will be headed to Cuba to visit Francisco’s family and to work on a few stories, including several pieces about Havana’s Chinese Cuban population, a subject that she’s been working on for the past couple years.

And other projects abound- a photo essay about scientific research at Guantanamo Bay Naval Base for Discover Magazine and the conversion of CollazoProjects from a blog into a full-blown website.

What are you up to these days? Fill us in by leaving a comment below!

The Superlative Project

As a reader and an editor, I’m constantly amazed by writers’ propensity to depend upon superlatives to describe people, places, and experiences.

Photo: designwallah

If everything is “the best” or “the most,” what’s left as least or worst… or in between?

I’ve decided to collect all the superlatives I come across in the month of May. The purpose? To see if the use of “best of”/”most of” is really as common as I think it is, and then, to reflect critically on what it means to classify everything in categories of extremes.

I won’t be going out of my way to look for superlatives–I’ll just be collecting them as I come across them.

If you find any, feel free to send them my way. I’ll post my findings here at the end of the month.

PEN World Voices Festival

Text: Julie Schwietert Collazo
Photos & Video: Francisco Collazo
The fifth annual PEN World Voices Festival opened in New York on Monday, with readings, panel conversations, and lectures scheduled through May 3.

PEN, founded in 1921, bills itself as the world’s oldest organization interested in both literature and human rights, and over the years its members have actively worked to fulfill PEN’s mission:

…to use what influence they have in favor of good understanding and mutual respect among nations; they pledge themselves to do their utmost to dispel race, class, and national hatreds and to champion the ideal of one humanity living in peace in the world….


…pledge themselves to oppose any form of suppression of freedom of expression in their country or their community.

In my opinion, PEN’s most important work is the Freedom to Write Program, which defends journalists and writers being persecuted or censored, and its Prison Writing Program.

The annual World Voices Festival, though, is the ultimate expression of PEN’s ideals, brought together in a single geographical place: New York City.

Last night, Francisco and I attended a reading by Sergio Ramirez, novelist and the former vice-president of Nicaragua, who shared an excerpt of A Thousand Deaths Plus One at the Americas Society.

Tonight, we attended “Prison Deform,” a panel comprised of writers from around the world who have all been imprisoned for their political and literary activism.

One of the panelists was Susan Rosenberg, whose name might be familiar if you’ve ever heard of the Weather Underground.

In this video clip, Rosenberg speaks about her 16 year prison term: