Book Tour: Pope Francis in His Own Words

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Yes, yes, I know: Pope Francis in His Own Words was published two years ago.

So why am I starting a book tour of sorts right now?

Well, as you’re probably aware, Pope Francis will be visiting Cuba and the United States next month, and it seems like a prime time to reintroduce the book to English- and Spanish-speaking audiences (did you know the book has been translated into about 15 languages?). Plus, I received a few lovely invitations to do so, and I couldn’t turn them down.

If you’re in one of the cities below, I hope you’ll spread the word and join me at one (or more!) of these events:

Decatur Book Festival: Decatur, Georgia, USA
I’m grateful to my alma mater, Emory University, for inviting me to participate in this beloved book festival. I’ll be signing books in the Emory tent from 3-4 pm on Saturday, September 5. I’ll have a very limited number of foreign language editions of the book as well.

Brooklyn Book Festival, Bookend Event Series: Brooklyn, New York, USA
Before I head out of the country to cover Pope Francis’s visit in Cuba, I’ll be talking about the book and signing copies as part of the Brooklyn Book Festival. My generous host is the delightful Hullabaloo Books, and I couldn’t think of a better bookstore to have a conversation about Pope Francis. This is an Official Brooklyn Book Festival Bookend Event. I’ll have a very limited number of foreign language editions of the book as well.

This event will take place at 8 pm on Tuesday, September 15.

Cuba Libro Bookstore: Havana, Cuba
I’m so excited that I’ll have the chance to talk about the book the day before Pope Francis will be giving his mass at Plaza de la Revolución in Havana.

This event will take place at 5 pm on Saturday, September 19.

NEW: Our US publisher, New World Library, is offering a 50% discount off online orders of Pope Francis in His Own Words throughout September. Buy the book through their site using the discount code “pope” (no quotes, not case-sensitive) and you’ll get the book at half-price. Buy the book here.

Would you like to add Pope Francis in His Own Words to your bookshelf or inventory? Need a speaker or expert to interview about the Pope? Get in touch by emailing me: writingjulie[at]gmail[dot]com!

Author Cecilia Rodríguez Milanés in New York City

Rodríguez's newest book.
Rodríguez’s newest book.
I recommended not one, but two of Cecilia Rodríguez Milanés’s books in my round-up of essential reading about/related to Cuba for The Guardian, so I’m especially excited that I’ll get to meet her in person when she’s here in NYC this month.

The events below are open to the public. I hope you’ll support Cecilia, whose newest book, Oye What I’m Gonna Tell You, was released by Ig Publishing just this year.

Monday, June 15, 7 PM
Bluestockings Bookstore, Café, & Activist Center
172 Allen St, New York, New York 10002
Oye What I’m Gonna Tell You: A Reading and Signing

Cecilia Rodríguez Milanés will be presenting a reading of fiction from her newly released short story collection Oye What I’m Gonna Tell You followed by Q & A and signing. Her work reflects on the lives of Latina/os in the U.S.—especially those who settled in “el norte.” The characters populating her stories cope with challenges such as immigration, assimilation, poverty, race and gender issues; their voices call out to us to listen—oye!

Tuesday, June 16, 7:30 PM
Greenlight Bookstore
686 Fulton St, Brooklyn, New York 11217
An Evening with Ig Publishing: Sailing, Skating, and Cuba

Featuring Cecilia Rodriguez Milanes, author of Oye What I’m Gonna Tell You
Tracy O’Neill, author of The Hopeful
Diana Wagman, author of Life #6
Reception to follow

Fort Greene’s own independent press Ig Publishing publishes “original literary fiction from writers who have been overlooked by the mainstream publishing establishment, and political and cultural nonfiction with a progressive bent.” At this event, Greenlight and Ig celebrate the release of three exciting new literary works with a joint reading and reception.

Workshop Announcement: How to Report on Cuba

What started as Facebook venting about my frustration with the majority of reporting on/about Cuba has turned into what’s going to be a powerhouse workshop offered live in NYC on April 27 with my friend and colleague, Conner Gorry, who has lived in Cuba for more than a decade.

More details coming soon (we’ll post them all here), but for now, mark your calendars and spread the word. Space is going to be limited!Save the Date

Cooper Hewitt Design Museum reopens this weekend after 3-year renovation

Text & Photos:
Julie Schwietert Collazo

A few shots from my visit to the newly renovated Cooper Hewitt. (Photos: @collazoprojects)
A few shots from my visit to the newly renovated Cooper Hewitt. (Photos: @collazoprojects)

Let’s just cut right to the chase: I don’t adore the newly renovated Cooper Hewitt Smithsonian Design Museum, which seems like an absolutely terrible and unkind thing to say since the museum has been closed for three years, undergoing a meticulous $91 million once-over.

As I walked away from Tuesday morning’s media preview of the museum, which will reopen to the public this Friday, December 12, I searched for the right word to describe why such an ambitious project left me feeling so dissatisfied. The word is: incohesive. Among the 726 objects on display, there are some compelling ones, including Abraham Lincoln’s funeral pall and pocket watch, a pair of Toscanini’s pants, and–coming up to the present century–Damian Ortega’s most impressive installation of tools, “Controller of the Universe.” There’s also the Hansen Writing Ball and a Comstock Knitter, both of which are glorious representations of 19th-century industrial design.

But for every “Ooh” “Aah,” “Weren’t those the glory days of design?” object, there’s one that feels a little out of place, either “Too soon, too soon” (ie: the iPhone and MacBook Air) or boring because of its predictability and ubiquity in other museums (I’m looking at you, Zig-Zag and Vermelha chairs). Mostly, though, the collection as it is presented feels incredibly disjointed, the attempt to be representative yet selective not even cohering well within discrete exhibits, and far less across and among them.

That’s not to say I’m unswayed by the Cooper Hewitt’s new charms, however. I’m impressed by the effort and (most of) the execution of the museum’s new hands-on interactive elements, as well as the places in the museum where exhibits try to explain how design is relevant to daily life. The Cooper Hewitt has always excelled in this regard; its 2007 exhibit, “Design for the Other 90%,” was exceptional. When Cooper Hewitt’s good, it’s good. But that’s precisely what makes the “Meh” parts so disappointing.

Daily Outtake: Latin American Design Exhibit at MAD

Text & Photos:
Julie Schwietert Collazo
Last week, Francisco and I had the opportunity to visit the Museum of Arts and Design, where the exhibit “New Territories: Laboratories for Design, Craft, and Art in Latin America” had just opened.

Some of the works in the "New Territories" exhibit. (Photo: @collazoprojects)
Some of the works in the “New Territories” exhibit. (Photo: @collazoprojects)

Like the Guggenheim, the physical lay-out of MAD doesn’t always work; we’ve seen really excellent exhibits there and some that really suffered from poor use of space. Fortunately, “New Territories” avoids those problems, mainly because the work is so strong and varied that the visitor’s interest is held and there’s a thrill in going from one floor to the next (the exhibit is spread out over three floors) to see what else you’ll find.

There are some heavy hitter artists/designers in the show, including Vik Muniz and Pedro Reyes, as well as those who will likely be new to most viewers. Our visit was far too cursory, so we’ll be back for a more leisurely experience before the show closes on April 6, 2015.